


My Balls Out Improv HBO Pilot Presentation, Group Therapy. And how I met Nelsan Ellis...
A man describing a recent event to a friend in Hollywood.
Hello lovely readers,
With Julie & Julia happily playing on my TV in the background, I write with 3 things to share tonight. (p.s. The editor Judy Clain from Little, Brown who emailed me the other day about wanting to see my memoir, they mention her name in the movie!!! The voicemail says, "This is Judy Clain. I'm an editor from Little, Brown..." Holy Shiite!!!!
First off, to the upper left is my beloved and stupidly talented screenwriter, Bekah Brunstetter. The first 25 pages are a DREAM COME TRUE. Honestly, I remember ambling down the streets of Manhattan as an undergrad at Barnard and stopping to glance in the shiny, reflective windows of the advertising buildings and thinking, "Your time will come... Someone will see you and get it." And voila! This writer is creating my "star vehicle" in Natalie's words. And in my words -- stay on the path, keep staring in the shiny windows, and skipping to your own beat -- just knowing that you've got a little somethin' somethin' different. Something to call your own that no one else can ever claim. 25 pages and I feel goooooood... So, the first thing is gratitude.
I wanted so badly to connect with my excellent voice-over agent Marcia Hurwitz at Innovative Artists, but I didn't know what I was going to say to her when I called. I just felt like -- I want her to know how hungry I am and how excited I am to boooooook. And then, I stopped at a red light on the way to Trader Joe's and thought, "How about you call and thank her?" For the meeting we had before Christmas. For sitting down with me. For believing in me for all these years -- she's actually my longest relationship! Zoiks. And so, when I called and her assistant asked what I was calling about and I said to thank her, she immediately took my call. And the thing is, I did want to thank her. We had an inspired conversation and I'm pretty sure we both hung up the phone feeling good. When in doubt, gratitude.
2. My improv teacher the great Stephen Tobolowsky, who starred in Thelma and Louise, said something I think we all need to hear from time to time, be reminded of. He said, "You know what I have that 90% of this town doesn't? "A work ethic. I always come as prepared as I can ever be." He's actually gone to auditions with sides he's cobbled together to give his character more depth and to make for a more flowing audition. Then, he'll give a photocopied versiont o the reader. And they let hi do it. Because they're SO impressed with his f'in preparation!
When auditioning for Michael Mann, he kindly declined to read the sides. He said he had no idea who his character was, or where he was, or what the movie was even about. He said he needed to see a script. When Mann refused him, he said, "Put yourself in my shoes. How would you feel if a producer asked if you were interested in a part, but wouldn't give you a script, or told you when the movie took place or where it was or who was in it, but wanted you to do it. What would you do?" Mann handed him a script. He signed a confidentiality agreement. A few days later, he booked the role. BALLS OUT. He told me, "I was either going to go down sucking because I had no idea what I was doing. Or I would go down with my integrity. Better than that, he ended up working with one of our best. I shall think of him when I read for THE DIRECTOR. (she says with nothing by hope in her heart).
3. Which leads me to my 3rd update... I called back the director!!! Left a voicemail. And now I know what I'm going to say to him when we finally speak on the phone. I feel like a kid in high school -- I'm sooooo excited to talk to him. The idea of working with him? Like winning the lead in the school play spring term senior year. Working with this director IS Spring Term Senior Year.
So... Here's to being thankful, to being balls out & to a rockin' spring term senior year.
Song of the Day... Let us all be inspired by the amaaaazingly soulful Leonard Cohen...
Definitely send your pages when you’re ready!!
Judy
I lit up like a child on Christmas morning! And the key here is to follow up, stay in touch -- with always gratitude and following your gut. I am STOKED to get my pages to her!!! This was the fire I needed to get me going. And I have to say, I thank my dear friend Kevin Flynn, talented screenwriter, playwright and director, for setting me on the focused path last Spring. He told me to focus on one thing at a time. He told me that you can send in an excerpt from your book. He told me that I have many talents and to not let myself get distracted. Thank you Kev. Since his words, I have gotten a 5 book series deal and now a MAJOR EDITOR interested in seeing my memoir -- which I, full circle moment, started at Barnard!
I held onto this idea just as I held onto my stuffed animal dog-bear – one of those terminally cute, but what was he exactly? Kind of stuffed animals. He was a Gund. I took him with me to Rachel’s townhouse where she and her Mom lived and I held him and somehow felt safer. Rachel and her Mom took me in like the good Jewish broken family they were. And we talked about things.
“How is your Mom doing?” Cheryl managed to get out, her smallish eyes, red on the edges. “She’s with my Dad,” I replied, my fingers digging into Dogbear’s neck. Rachel stared into the mirror and swung her one leg out in front of the other, which created a sort of displeased, chic look which we were all searching for when we were twelve. We wore Benetton and Esprit – but we wanted to look a little upset about everything, pissed off really at the state of things. And Rachel had mastered this look – her head slanting, about to fall off her neck, her feathered hair in place. And her sleeves always pulled up, as if ready for some hard work. Hard work never to be done.
And here I was. In the middle of them – “What would you like for dinner, Kieren?” Cheryl managed over her dust busting in an attempt to clean up the globs of hair her Persian cat had most recently shed. My eyes were puffing up from the fur. “Oh – whatever you have, is fine,” I said, my mouth barely smiling. I secretly loved being taken care of – by another Mother. Something about it felt so special – Cheryl’s Coke and Cheryl’s salad. The other once again. The middle once again. Ahhhh… I was home – just not mine.
And the thing is, Rachel was also super popular then and that’s what I wanted more than anything – to be one of those girls – the popular crowd in junior high is akin to royalty and Rachel was the queen. I was merely a kid who went from roller skating while singing Muppet Movie songs with my decidedly unpopular neighbor, Christine -- to being recruited into the popular crowd – made up of girls from mostly divorced parents, out of Brooklyn, Jewish, and ready to gang up on you at any given moment. Part of me was thrilled; internally swooning, that I was an easy recruit – the thrill of the potential gang-up, the envy over the Esprit outfits they flung around haphazardly, the feeling of being wanted by the best was intoxicating and still… the other part of me longed to be roller-skating. But I had to grow up – I was now twelve and elementary school was a pebble in the dust, a forgotten road. I had arrived. I was going to be cool – I was learning the ways to dress and I was noticing boys noticing me. I was a constant phone talker. I wore Reeboks and quoted from, “We are The World.” I led the girls around school as if they were my pups and I even became President of my class. Also, my Mom was dying.
This is the monologue that my amaaaazingly generous friend John Beck, who works at NASA, and happened to be working on a project on Outerspace with MF insisted upon showing him. And Morgan ASKED if he could leave me a voicemail!!! And he said to me, "I found it amazing.... You've got what it takes."
And whenever I have a doubt creep i -- like, "Who do I think I am with these big, big dreams, I listen to Morgan's voice and my faith settles back inside of me and I find myself smiling... :):):)